The Book Of Mormon

Act 1: The Mission Begins and the Struggles in Uganda

Main Characters:

• Elder Price:

  • Initial Outfit:

    • As a missionary, Elder Price wears the standard Mormon missionary uniform: a white shirt, black pants, black shoes, a black tie, and a name tag. His outfit is sharp and neatly pressed, representing his earnest desire to follow the Mormon faith.
    • Accessories: A black leather belt and a name tag that reads "Elder Price."

  • Costume Change (Later in the Act):

    • As Elder Price's optimism starts to dwindle, his costume may become slightly more disheveled, such as a tie that is loosened or a shirt that is slightly untucked. This shows his struggle with his faith and the challenges he faces in Uganda.

• Elder Cunningham:

  • Initial Outfit:

    • Like Elder Price, Elder Cunningham wears the standard missionary outfit: a white shirt, black pants, black shoes, and a black tie. However, his outfit is often less neatly pressed and somewhat more disheveled to reflect his more laid-back, unconventional personality.
    • Accessories: A name tag that reads "Elder Cunningham" and a slightly more relaxed, messy appearance.

  • Costume Change (Later in the Act):

    • Elder Cunningham’s costume reflects his inner turmoil and the awkwardness of being an outcast among the other missionaries. His costume may become slightly more unkempt, such as having a wrinkled shirt or messy hair.

• Nabulungi:

  • Outfit:
    • Nabulungi’s costumes reflect her hopeful and optimistic personality. She wears traditional Ugandan clothing, typically a brightly colored dress or skirt with a matching top, often in vibrant colors like red, yellow, or green.
    • Accessories: Jewelry, such as beaded necklaces or bracelets, and a scarf or head wrap. Her clothing reflects her cultural pride and her desire to escape the poverty and violence surrounding her.

• General Butt-Fucking Naked:

  • Outfit:
    • General Butt-Fucking Naked’s costume is intentionally outrageous to emphasize his fearsome and absurd character. He wears a simple, almost bare-chested outfit with military-like pants and accessories that reflect his exaggerated role.
    • Accessories: A military-style belt and boots, but his costume is often deliberately over-the-top, featuring humorous touches.

• The Ugandan Villagers (Ensemble):

  • Outfits:
    • The ensemble costumes for the Ugandan villagers reflect a mix of traditional African wear and everyday clothes. Women wear dresses or skirts in bright colors, while men wear simple shirts, pants, or tunics.
    • Accessories: Beaded jewelry, scarves, and other items to reflect the vibrant culture of Uganda.

Ensemble (Missionaries, Villagers, and Guards):

• Missionaries:

  • The missionaries wear the same Mormon missionary uniform—white shirts, black pants, black ties, and name tags. However, as the mission continues, some of them may start to look disheveled or frustrated, depending on their emotional states.

• Villagers:

  • The villagers wear colorful, culturally inspired clothing, with dresses or shirts in patterns that reflect the vibrancy of Ugandan life. The women’s outfits tend to be brightly colored and flowing, while the men wear simple but practical clothing.
  • Accessories: Beads, scarves, and simple footwear reflect their life in rural Uganda.

• Guards:

  • The guards are dressed in a militarized, simple uniform that emphasizes their role as enforcers of power. The outfits may include camouflage pants, jackets, and accessories like helmets or berets.
  • Accessories: Simple weapons or tools that reflect their role in the narrative.

Act 2: The Conflict and Resolution

Main Characters (Continued):

• Elder Price:

  • Costume Change:
    • In Act 2, Elder Price’s costume might become more refined again as he reconciles with his inner doubts and returns to his faith. His shirt and tie are neatly pressed, symbolizing his renewed sense of purpose.
    • Accessories: His name tag and polished shoes reflect his character arc as he embraces his faith again, but there may be slight nuances in the costume to reflect his emotional growth.

• Elder Cunningham:

  • Costume Change:
    • Elder Cunningham’s costume in Act 2 might become more confident, reflecting his growth in accepting his true self. His shirt may appear cleaner or more fitted, representing his transition from a comedic outsider to a stronger character.
    • Accessories: His name tag remains, and his attire becomes tidier to show that he is no longer trying to hide his insecurities.

• Nabulungi:

  • Costume Change:
    • Nabulungi’s costume becomes more elaborate in Act 2 as she moves toward her dream of a better life. She may wear more formal clothing or a more elaborate dress, symbolizing her growing role as a key character in the narrative.
    • Accessories: Her jewelry and accessories are more prominent, reflecting her strength and confidence as the story reaches its resolution.

Ensemble (Missionaries, Villagers, and Finale):

• Missionaries:

  • The missionaries’ costumes may evolve to reflect their final acceptance of their roles in Uganda. They might wear cleaner and more well-fitting outfits, signifying their reconciliation with their mission.

• Villagers:

  • The villagers wear vibrant, celebratory clothing in Act 2 to reflect their final victory and triumph. The costumes are rich in color, and the fabrics reflect a mix of tradition and modernity.
  • Accessories: Colorful jewelry and scarves to celebrate the success of their struggle.

• Final Scene/Big Number:

  • In the final scene, costumes become more colorful and celebratory. The ensemble wears flashy outfits that reflect the more positive and triumphant tone of the show. This includes bright colors, sequins, and sparkle, representing the optimism and success of the mission.

Special Notes:

• Color Palette:

  • Act 1: The colors in Act 1 reflect the contrast between the missionaries’ sterile uniforms and the vibrant, colorful clothing of the villagers. The Ugandan clothing is lively and bright, while the missionary uniforms are mostly neutral (white shirts, black pants).
  • Act 2: The costumes evolve to become more celebratory and colorful, symbolizing the resolution and growth of the characters. The missionaries’ outfits are tidier, and the villagers wear more formal attire for the final scenes.

• Fabric Choices:

  • Act 1: Fabrics for the missionaries are cotton or polyester to reflect their standard uniform look, while the villagers wear more natural fabrics like cotton or wool to reflect the rural setting.
  • Act 2: Fabrics become richer, with more textured and colorful options for the final celebration, including sequins and satin for the more glamorous looks.